Beyoncé Renaissance Songs: Full Tracklist, Themes and Listening Guide
Beyoncé’s Renaissance era has reshaped modern dance and pop music, with a carefully curated selection of songs that pay tribute to Black queer club culture, disco, house and ballroom. Released as the first act of a three-part project, Renaissance centres on liberation, self‑expression and the joy of the dance floor, themes that run through every track of the album’s 16‑song sequence.
According to the official track listing on Beyoncé’s website and major music platforms, Renaissance was released on 29 July 2022 as her seventh solo studio album, featuring a continuous mix-style flow from song to song.12 Below is a detailed guide to all the key Beyoncé Renaissance songs, their inspirations and how they fit together as a full listening experience.
Overview of the Beyoncé Renaissance Songs
The core Renaissance album consists of 16 tracks:
- I’M THAT GIRL
- COZY
- ALIEN SUPERSTAR
- CUFF IT
- ENERGY (feat. BEAM)
- BREAK MY SOUL
- CHURCH GIRL
- PLASTIC OFF THE SOFA
- VIRGO’S GROOVE
- MOVE (feat. Grace Jones & Tems)
- HEATED
- THIQUE
- ALL UP IN YOUR MIND
- AMERICA HAS A PROBLEM
- PURE/HONEY
- SUMMER RENAISSANCE
This sequencing is confirmed across platforms such as Beyoncé’s official site and Spotify’s album listing, which also note that the songs are mixed into each other as a seamless playlist-style set, reflecting the continuity of a club DJ set.
The album is credited to Beyoncé as lead artist, with a wide range of producers, writers and collaborators, including names such as The-Dream, Tricky Stewart, Skrillex, Honey Dijon and more, as documented in the detailed credits on TIDAL’s album page.
Track‑by‑Track Highlights of Renaissance
I’M THAT GIRL
“I’M THAT GIRL” opens Renaissance with a declaration of self‑assurance and sets the tone for the album’s confident, club‑ready sound. The track blends hip‑hop and electronic influences, and, as listed in the song credits on Beyoncé’s site, interpolates and samples earlier works, reflecting the album’s overall practice of drawing from multiple eras of Black dance music.1
COZY
“COZY” is a celebration of self‑acceptance, gender expression and personal comfort. According to the songwriting and production credits on Apple Music, it features contributions from producers including Honey Dijon, known for her work in house music and club culture. The lyrics and sound reference ballroom culture and affirm Black and queer identities, themes that recur throughout Renaissance.
ALIEN SUPERSTAR
“ALIEN SUPERSTAR” fuses futuristic production with references to high fashion and performance. The track’s credits, as documented on Apple Music and TIDAL, show multiple songwriters and interpolation of elements from older works, framing the song as a blend of past and future club aesthetics.2 It underscores the album’s embrace of individuality and otherness as superpowers.
CUFF IT
“CUFF IT” stands out as one of the most accessible and radio‑friendly Renaissance songs, leaning into disco and funk. The track incorporates contributions from Nile Rodgers, a key figure in disco history, whose involvement is listed in the song’s credits on TIDAL. This connection to classic disco helps situate “CUFF IT” within a broader lineage of dance music that informs the entire album.
ENERGY (feat. BEAM)
“ENERGY” features Jamaican‑American artist BEAM. The track’s compact runtime and rhythmically dense structure serve as a bridge between “CUFF IT” and “BREAK MY SOUL,” with the transitions documented in the album sequence on Spotify. The credits on Apple Music note a large songwriting team and various samples, reinforcing the collage‑like nature of Renaissance’s production.
BREAK MY SOUL
“BREAK MY SOUL” was the lead single from Renaissance and one of its most prominent songs. Released ahead of the album in June 2022, it incorporates elements of house music and samples Robin S.’s 1993 hit “Show Me Love” as well as “Explode” by Big Freedia, a New Orleans bounce artist, as credit listings confirm.2 The song’s lyric “You won’t break my soul” became a widely cited expression of resilience, with the track’s house‑inspired production helping reintroduce mainstream audiences to the genre.
CHURCH GIRL
“CHURCH GIRL” juxtaposes gospel influences with explicit celebration of dance, sexuality and freedom. The track samples “Center of Thy Will” by The Clark Sisters, as documented in the song’s credits on Beyoncé’s official Renaissance page.1 This fusion of church music roots with club aesthetics highlights one of the album’s central tensions: reconciling spiritual upbringing with secular expression.
PLASTIC OFF THE SOFA
“PLASTIC OFF THE SOFA” shifts to a smoother, more intimate R&B sound. The track showcases Beyoncé’s vocal control with melismatic runs and layered harmonies. The songwriting and production credits, listed on Apple Music, include Syd and other alternative R&B figures, aligning the song with a contemporary soul sensibility embedded in the otherwise club‑oriented album.
VIRGO’S GROOVE
At over six minutes, “VIRGO’S GROOVE” is one of the longest Beyoncé Renaissance songs and functions as a centerpiece. Combining disco, funk and R&B, it allows extended vocal improvisation and dance‑floor‑oriented instrumental sections. Streaming platforms’ track details confirm its length and placement roughly at the album’s midpoint, giving it a central role in the project’s emotional and musical arc.
MOVE (feat. Grace Jones & Tems)
“MOVE” features Grace Jones and Nigerian singer Tems, as credited on all major platforms.2 Grace Jones’s presence directly connects Renaissance to the legacy of avant‑garde disco and post‑punk, while Tems brings contemporary Afrobeats and R&B influence. The song’s rhythmic structure and commanding vocal performances emphasise bodily movement and authority on the dance floor.
HEATED
“HEATED” blends Afro‑influenced grooves with rap‑style cadences. The credits on Apple Music list Drake among the co‑writers, indicating cross‑collaboration between major contemporary pop and hip‑hop figures. The song’s latter section includes chant‑style lines reminiscent of ballroom MCing, again underlining the album’s deep relationship with ballroom culture.
THIQUE
“THIQUE” incorporates pitched‑down vocals and heavy bass, leaning closer to trap and experimental club sounds. Production details on streaming credits show the inclusion of multiple producers and writers, reinforcing the album’s layered approach to sound design.
ALL UP IN YOUR MIND
“ALL UP IN YOUR MIND” is one of the more experimental tracks, featuring industrial‑tinged electronic production. As the album track list shows, it appears late in the sequence, intensifying the mood before the final songs resolve the narrative on the dance floor.
AMERICA HAS A PROBLEM
Despite its title, “AMERICA HAS A PROBLEM” operates primarily as a high‑energy club track, using rapid rhythms and a hook‑driven structure. Its credits list a large writer team and a sample of the track “Cocaine” by Kilo Ali and co‑writers, as documented by TIDAL’s credit breakdown, placing it within Southern hip‑hop’s lineage as well as club music.2
PURE/HONEY
“PURE/HONEY” is structured as a two‑part track, illustrated by the slash in the title. It references and samples songs by drag and ballroom icons, including tracks associated with Moi Renee, as noted in the sample credits on TIDAL.2 These choices highlight Beyoncé’s explicit engagement with the history of ballroom and queer performance.
SUMMER RENAISSANCE
“SUMMER RENAISSANCE” closes the album with a direct reference to Donna Summer’s “I Feel Love,” one of the most influential disco and electronic tracks. The interpolation and homage to “I Feel Love” are detailed in the song’s credits on Beyoncé’s official site and streaming platforms.12 This ending reinforces the album’s overarching tribute to disco, house and the pioneers of electronic dance music.
Key Facts and Details About Beyoncé Renaissance Songs
- Album structure: Renaissance is presented as a continuous, non‑stop mix. Streaming services such as Spotify and Apple Music tag the tracks individually, but the listening experience is clearly designed to flow seamlessly, with overlapping intros and outros.
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Release and positioning: The album was released on 29 July 2022 and framed by Beyoncé as “Act I” of a three‑act project, as stated in the album announcement on her official website.
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Lead single performance: “BREAK MY SOUL” reached the top of major charts. Billboard’s chart history records it as achieving No. 1 on the Billboard Hot 100 in August 2022, marking a significant commercial success for a house‑inspired mainstream single.
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Genre influences: Across its 16 songs, Renaissance incorporates house, disco, funk, Afrobeats, bounce, ballroom, trap and R&B, reflecting a deliberate homage to decades of Black and queer club culture. These genre blends are visible in the production and sample credits listed in detail on TIDAL and Apple Music.
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Collaborators and features: In addition to Beyoncé, major credited contributors include Grace Jones, Tems and BEAM as featured performers, and a wide group of producers and writers such as The‑Dream, Tricky Stewart, Hit‑Boy, Honey Dijon and others.12
FAQs About Beyoncé Renaissance Songs
How many songs are on Beyoncé’s Renaissance album?
The standard edition of Renaissance contains 16 songs, from “I’M THAT GIRL” to “SUMMER RENAISSANCE,” as confirmed by the official track list on Beyoncé’s website and all major streaming platforms.12
What is the lead single from Renaissance?
“BREAK MY SOUL” is the lead single from Renaissance. It was released in June 2022 before the full album and later reached No. 1 on the Billboard Hot 100, according to Billboard’s chart records.
Which Beyoncé Renaissance songs have featured artists?
The songs with featured performers are “ENERGY” (feat. BEAM), “MOVE” (feat. Grace Jones & Tems) and, in certain single/extended versions released after the album, a remix of “AMERICA HAS A PROBLEM” featuring Kendrick Lamar. The first two features are listed in the main album credits on streaming services; the Kendrick Lamar collaboration appears separately as a later single release on platforms such as Apple Music.
Does Renaissance sample older songs?
Yes. Multiple Beyoncé Renaissance songs include samples and interpolations. Examples documented in official credits include Robin S.’s “Show Me Love” and Big Freedia’s “Explode” in “BREAK MY SOUL,” The Clark Sisters’ “Center of Thy Will” in “CHURCH GIRL,” and Donna Summer’s “I Feel Love” in “SUMMER RENAISSANCE.”12
Is Renaissance part of a larger project?
Beyoncé described Renaissance as “Act I” of a three‑act project in the album’s announcement on her official site, framing the 16 songs as the first chapter of a broader creative work.1
Conclusion
The Beyoncé Renaissance songs form a cohesive and carefully structured journey through dance‑floor history, drawing explicitly on house, disco, ballroom and contemporary club sounds. From the assertive opening of “I’M THAT GIRL” to the Donna Summer‑inspired finale of “SUMMER RENAISSANCE,” the album’s 16 tracks function as both homage and innovation, connecting past and present forms of Black and queer musical expression. Verified track listings and credits across Beyoncé’s official channels and major platforms confirm the intricate network of samples, collaborators and stylistic references that define Renaissance as one of the most meticulously crafted dance‑pop albums of its era.